National Geographic shooter Dick Durrance, color photography pioneer Ernst Haas, documentarian Mary Ellen Mark and gauzy artist Joyce Tenneson are just a few of the well-known names represented in the show.īy bringing out the big guns, the show seeks to attract a wide audience, of course, but also show the outsized, cross-pollinating impact the little Maine school has had on the photographic world over the years. This show highlights 100 prints by 75 photographic artists associated with Rockport’s famous photo school since it was founded half a century ago in 1973 by David Lyman. Portland Museum of Artĭrawn to the Light: 50 years of Photography at Maine Media Workshops + College
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Standouts here are a series of Polaroids by Andy Warhol and a remarkable photo of jazz trumpeter Miles Davis’ lined hand by Irving Penn. The third and fourth sections’ images are less powerful and focus on studio portraiture and finally pictures of landscapes and interiors that hint of past human occupation. The second section also includes a handful of prints by Maine artist Olive Pierce who spent years lovingly documenting a marginalized family in Bremen, which culminated in her classic photo book “Up River: The Story of a Maine Fishing Community.” They remind viewers that not all private moments at home are beautiful. There’s also a heart-stopping series of six prints picturing domestic violence in progress, shot in the 1980s by Donna Ferrato. Included is a family picture by Sally Mann and a pair of prints from Larry Clark’s well-known book about drug use and sex in the 1960s, “Tulsa.” Most of the images were made by someone with a familiar, or intimate, relationship with their subjects. The second section at the Bowdoin exhibition is dedicated to pictures of people at home. Jackson described each palindromic photo as, “Indian photographing tourist photographing Indian.” Both large, black-and-white images show white tourists photographing Indigenous dancers at what looks like a public powwow. Two remarkable photos by American Indian photographer Zig Jackson are also part of the first section. The photos transform blank, anonymous moments into something almost - but not quite - knowable. These photos capture rectangular instants of unguarded time and then allow the viewer the luxury of contemplating that particular fraction of a second for as long as they like. These are mostly observed pictures of people on city streets who didn’t know they were being photographed. The first section features street photography and begins with prints by superstars of the craft Lee Friedlander, Gary Winogrand and Bruce Davidson. The show is broken up into four distinct sections, showcasing 120 photographs by more than four dozen photographers. (D.This wide-ranging, and free, exhibition is all about humans and the various ways photographers have been picturing them since the middle of the 20th century. Overall, we rate the Bangor Daily News Left-Center biased based on editorial positions that slightly favor the left and High for factual reporting. In general, the Bangor News holds a left-leaning editorial bias and reports news factually. Further, the Bangor Daily News has never failed a fact check. Editorially, the paper leans left and typically endorses Democratic candidates. There is minimal use of loaded language, and all information is sourced properly. The Bangor Daily News publishes local news through journalists and national news through the republication of Associated Press news. Funding comes through advertising and subscription fees. The Bangor Daily News is owned and published by the Bangor Publishing Company. It is the only independently owned daily newspaper in the state. Read our profile on the United States government and media. Founded in 1889, The Bangor Daily News is an American newspaper covering a large portion of rural Maine, published six days per week in Bangor, Maine.
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